More envy, more toning.
More red toning.
Applies tone to the shadows primarily, heavier than the subtle version.
Green with envy? B&W toning.
Applies tone to the shadows primarily.
Cool blue monochromatic toning x2.
You guessed it. Red toning.
Green in the shadows.
Red in the shadows only.
A sepia conversion that maintains true black in the shadows and true whites in the highlights, more.
Purple in the shadows.
Classic split toning with warm in the shadows and cool blue in the highlights.
Cool blue monochromatic toning.
A sepia conversion that maintains true black in the shadows and true whites in the highlights, rich and thick.
Overall monochromatic toning where you select any color you want on the fly.
A sepia conversion that maintains true black in the shadows and true whites in the highlights, standard.
B&W like a hot mocha in the morning, caffeine punch.
Vintage camera viewfinders with bad glass and dust spots are oddly appealing. This subdued color palette works beautifully with the analog viewfinder taken from a garage sale score.
Nearly black and white but with a yummy DEEP fudgie richness.
Nearly black and white with just a touch of warm color.
